Brenda’s Got a Baby


Brenda is 16 and pregnant, Amy is the first in her family to go to university. What could possibly go wrong? This brand-new verbatim play explores the struggles that young, working class women face. We are working class and attend university. We recognise the difficulties women like us face when trying to be a mother and study. We want to raise awareness of the struggles and pressures that these women face and the systems in place such as universal credit and whether they really are enough in this current political and economic climate. The piece follows two sisters on a journey of hardship, tension, self discovery and aspiration. These sisters challenge each other and grow together as their lives take different routes.

Bloomin’ Buds Theatre Company aims to increase access to opportunity for people from lower and working class backgrounds. We do this by running weekly community sessions, organising community performances, running public events, doing workshops in schools and by making professional theatre pieces. ‘Brenda’s Got a Baby’ is our second professional piece, our first ‘Rewrite the system’ was a sell out. It has also been performed in several schools and communities as we aim to do with ‘Brenda’s Got a Baby’.

‘Brenda’s Got a Baby’ is a verbatim play, a fictional story based on interviews, news stories and personal experience. The audio material used in the play is taken from this research. The story represents the people that we work with as well as our personal experience. Being from council estates, we have often experienced the lack of opportunities available for women and the stigma surrounding young working class girls. For some girls having a family can give you a sense of community, a commonality with other people in your family and in the area. This can make breaking the norm challenging and feeling out of place. We wanted to raise awareness and create debate about the struggle working class women face between having a family and pursuing a career or an education. But we didn’t just want to take the stories of the women, we established a parent support group in the local community centre to continue to support the women. We will also be hosting ‘Brenda’s Baby Shower’ in the community centre, the women we have worked with are invited to watch the performance for free and will participate in baby shower themed activities afterwards. They will also receive a goody bag full of fun treats as a thank you for participating.

Trailer link:

Promotional video link:

Review Excerpts 

The Edinburgh Reporter

Despite endless political talk about greater access to higher education, the vast majority of university students still come from middle-class backgrounds. Why is this, and can – and should – things change?  Brenda’s Got A Baby avoids stereotypes and instead allows women to speak for themselves. What they say (as opposed to what we might think they’re going to say) is extremely interesting.

EdFringe Review

The issues were handled with sensitivity on both sides of each argument. Initially I was worried they were going demean the task of motherhood, but they showed Brenda maturing and the skills she gained. Also, it was valuable to see a feminist play where the woman wasn’t necessarily seeking to be a successful business executive. She demonstrated that everyone has their own individual future planned, all of which are valid.

The stage

The show is descended from a lineage of political theatremakers from Andrea Dunbar to Cardboard Citizens, dramatising a social issue and revealing the structural forces at play. The writing here isn’t subtle and is frequently prone to simply staging a thematic debate, but it makes its points clearly and with enjoyable performances from Katie Mahon and Leah Hand.

Broadway Baby

Mahon and Hand excel in these characters, bringing them to life and creating two relatable and challenging performances. Hand in particular will go far, with a character immersion that had the audience compelled to keep watching. A raw, provocative performance which highlights the sense of community within the working classes, and how this can serve to either strengthen you or isolate you.

Audience Reviews

“”This is a compelling play that had me hanging on it’s every word. A realistic look into the choices, decisions and issues that working class young people face, this reality was brought cleverly into focus with a narrative throughout the play from the voices of people who have lived this. This was beautifully acted by the two young girls in a convincing and passionate way. As someone who works with teenagers this play resonated with me on every level and I recognise every issue that was raised, especially as recently one of my old students came back to see me & told me that uni had not been the dream she thought it would be as she was struggling to fit in as everyone was ‘posher’ than her and she felt isolated. Highly recommended.”” “”Brilliant. My wife, daughter and I all enjoyed this play. Really well acted and a great script. Liked the use of actual interview quotes to emphasise that this play is based on reality.””  

 Touring History



30th May 2018

18th October 2018

The Bradford Playhouse


7th/8th June 2019

The Edinburgh Fringe Festival 2018

TheSpace on North Bridge

3rd-25th August 2018

York has Class conference 2018 York University 10th November 2018 Manchester- Live@Library  5th April 2019 Sheffield- Local Theatre 17-20th April 2019 Leeds- Chapel FM  7th May 2019 Bradford Baby Week  26th November 2018  Bradford Fringe Festival August 2019, New York September 2019. Barnsley Red Ladder non strategic tour October 2019. Several other performances across Bradford.

Tech Specs

Running time

 50 minutes plus 20 minutes post show discussion

Touring Company

2 performers and 1 Stage Manager


Minimum 5 meters by 3 meters space, however can be performed in larger stage spaces

Set Elements

1 x inflatable sofa (Supplied by company) Various hand held props (Supplied by Company)


5x states: House lights, Warm general wash, cold general wash, medium spot light, Various colour lights (Moving or non-moving)


Speakers with sound desk and Aux cable (To be provided by venue)


Workshops are available to be delivered by the company.

Media Links – Reviews.

Broadway Baby –

Edinburgh Fringe Review by Shauna Lewis –

Edinburgh Fringe Review by Ella Gryf-Lowczowska –

The Edinburgh Reporter –

The Scotsman –

The Stage ––makes-its-points-clearly

The Herald –

Culture Vulture

Three Weeks Edinburgh –

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